Tuesday, July 11, 2017

Revamp, recharge your curriculum with Using Informational Text to Teach Literature

Now that it’s July, we hope that your end-of-school-year stress has eased and you are settling into a rejuvenating summer. We know that summer is a precious time that many teachers use to revamp and recharge their curricula and pedagogical toolkit. We think that spending time with our Using Informational Textresources over the summer will be well-rewarded come September. You can also read on our blog about our rewarding experiences with our approach to informational text in the classroom with a wide range of students.

If you are teaching To Kill a Mockingbird and wrestling with how to help your students make sense of it amid today’s conversations about race, economic inequality, and social justice, the first volume in our series, Using Informational Text to Teach To Kill a Mockingbird, can help. Our classroom-ready units on the relationship between Calpurnia and Scout and whether Atticus is a hero will help your students think critically about the characters and the complex world Harper Lee depicts.

If you are teaching A Raisin in the Sun, the second volume in our series will help you underscore the enduring relevance of Lorraine Hansberry’s landmark play. In it, you will find ready-to-use units on housing discrimination past and present, the violence surrounding housing desegregation, the politics of African-American women’s hair, and more.

If you are looking for ways to collaborate with your content-area colleagues around literacy, check out Connecting Across Disciplines: Collaborating with Informational Text. This volume offers practical strategies for initiating cross-disciplinary collaboration and developing students’ disciplinary literacy skills, as well as a sample unit based on a science article and an excerpt from Lord of the Flies.

If you are thinking about how to revamp your curriculum, our website and our blog feature resources and strategies for finding great informational texts that relate to any literary work you may be teaching and using them successfully in your classroom. We also offer ideas for teaching key vocabulary in meaningful and engaging ways and using multimedia together with written informational texts. Check out our sample units based on Mockingbird for models.

If you’d like hands-on training in our approach to using informational text, contact us about scheduling a professional development session in your school or district. We offer half-day and full-day workshops for both English and/or content-area teachers. If you are in New Jersey, we look forward to seeing you at NJEA in November. Otherwise, we hope to see you at NCTE and CEL in St. Louis.

We have just submitted the completed manuscript for our fourth volume, Using Informational Text to Teach The Great Gatsby, which we hope will be available by this fall from Rowman & Littlefield. In the meantime, check out our recent blog posts on articles that highlight both the difficulties and relevance of Fitzgerald’s classic novel.

In anticipation of this new volume, we have also reorganized the resources on our website. You will now find teacher resources and student resources on separate pages. The Teacher Resources page features rubrics, graphic organizers, sample answers, and sample units that you can download and adapt as you wish. The Student Resources page contains all of the graphic organizers that appear in our books so that you can link directly to them from your own class website.

We hope our resources will help you create rewarding learning experiences for you and your students. If you use any of our materials, please send us your feedback. We would also greatly appreciate it if you would post a review on Goodreads or Amazon. Thank you again for your interest and support!

Sunday, June 4, 2017

Highlights from NerdCampNJ: Part 2

Apologies for the delay in posting part 2! The end of the school year is so busy!

We also greatly enjoyed Kate Baker’s session on using technology to promote and assess student engagement with texts. Her quick, hands-on tutorials and models for using GoFormative, EDpuzzle, and ActivelyLearn have inspired us to try them out and share them with others!

All three of the tools enable teachers to embed the kinds of discussion prompts alongside a text that we advocate in our model for supporting student success with informational texts. All three also allow students to annotate texts as they read, view, or listen. And because we always advocate the use of multimedia texts, we of course liked how EDpuzzle allows teachers to embed questions and comments in videos at various stopping points that they determine. However, it was ActivelyLearn that particularly caught our attention.

ActivelyLearn allows teachers to embed questions and comments throughout single or multiple texts included in an assignment. Comments might be used to draw student attention to a particular text feature and/or direct students to turn and talk with a partner about some aspect of the text. Questions that teachers embed in the reading must be answered before a student can continue with the reading.

Students can also annotate and post questions or comments about the text as they read, even indicating parts of the text that they are struggling with. Teachers can immediately view the responses students have submitted, give feedback on them, and have students revise them if so desired. The paid version of the platform even includes a GoogleDocs add-on that allows students to import content from both readings and their own responses in ActivelyLearn directly into a GoogleDoc!

ActivelyLearn also struck us as a great platform for cross-disciplinary collaborative assignments or projects. The model that Kate shared with us, a unit created to support students in writing a research paper on the attainability of the American Dream throughout history, included a variety of informational and literary texts (see screenshot). 

Using Kate’s model as an example, an English teacher and a history teacher could have students read and annotate specific texts during their respective classes within the collaboratively created assignment. Students could then draw from all of their work in the ActivelyLearn assignment to create some kind of cross-disciplinary project.

One thing that Kate also noted during the session was the fact that smaller tech companies like ActivelyLearn (as opposed to, say, Google!) are very responsive to teacher interest and feedback. We experienced this ourselves when we asked, through Kate, about the collaboration functionality in ActivelyLearn. Natalie from ActivelyLearn responded the same day and confirmed that teachers on the paid team and school plans can collaborate by sharing and tweaking each other’s assignments and also by co-authoring lessons together. (With the free plan, teachers would have to share an account in order to create a lesson together.) We will be looking for an opportunity to try this out. If you are able to do so, please let us know how it goes!

Tuesday, May 30, 2017

Highlights from NerdCampNJ: Part 1

One of the highlights of NerdCampNJ for us on May 20 was of course our panel discussion, “Literacy Across the Content Areas,” with Kell Andrews, Laurie Wallmark, and Kristy Acevedo. It was a treat to hear everyone’s different perspectives on how informational text can enhance student engagement with fiction and vice versa.

We started off by sharing some collaborations around informational texts that we’ve done with science and English teachers in Susan’s school. (The materials we shared during the session can be found here.)

YA sci-fi author and high school English teacher Kristy Acevedo then jumped in to talk about how she has her students use research to create the details and substance of the characters and worlds in their own fiction writing, using her books and her own writing and research process as models. We loved this innovative merging of research with creative writing and the way in which this enterprise engages all sorts of skills in students!

Children’s author Kell Andrews picked up that thread to talk about how she embeds the practice of research into the plots of her books like Mira Forecasts the Future. Mira is the daughter of a famous fortune teller, but she lacks the gift of telling the future by gazing into the crystal ball, so she figures out how to make predictions in her own way by learning the basics of meteorology. Andrews’ point, which dovetailed well with Acevedo’s, is that science (like meteorology) can be embedded in any kind of text, including fiction.

Laurie Wallmark, college computer science instructor and author of two illustrated biographies for children, Ada Byron Lovelace and the Thinking Machine and Grace Hopper: Queen of Computer Code, built on all the earlier presentations in offering herself as a model. A teacher of STEM (computer science), she is also a researcher and a writer, who draws on all sorts of research and literacy skills in her work.

Clearly, the Common Core’s focus on informational text can be embraced in any number of ways. Writers know that their own work relies on their ability to research widely and incorporate information meaningfully.

One other point of emphasis that we thought was striking. Acevedo and others agreed that having students read primary informational texts (Acevedo used some of the scientific reports she consulted to write Consider) can get students to think critically about how the information they are reading is being shaped by an author. Just because Mira learns about meteorology in Mira Forecasts the Future doesn’t mean the information presented is accurate or authoritative. This latter point seems a particularly opportune one for us to think about as we grapple with fake news and try to instill in our students a healthy skepticism about the veracity of information. Just because it appears in print doesn’t mean it’s true!

Stay tuned for Part 2, which focuses on a workshop where we learned about some great tech tools that can foster active reading and cross-disciplinary collaboration

Thanks to Oona Abrams and the rest of the organizers for putting together this energizing event!

Wednesday, April 5, 2017

The Difficulties of The Great Gatsby

We have been working for more than a year on Using Informational Text to Teach The Great Gatsby, the fourth in our Using Informational Text series with Rowman and Littlefield. So we were thrilled by Stephanie Powell Watts’s wonderful and provocative “I Love the Great Gatsby, Even if It Doesn’t Love Me Back: On Difficult Characters and the Unbearable Whiteness of Classic Literature.” Watts is also the author of the just-published novel, No One Is Coming to Save Us, which we are very much looking forward to reading as it remixes Gatsby around the lives of a contemporary African-American family in North Carolina.

Published on Lithub.com, Watts' brilliant essay explores being drawn to and “in love” with Fitzgerald’s novel but also being repulsed by the “demeaning” racism, sexism, and cruelty in the text. She explores, for example, the underdiscussed white nativism in the text and many of the horrific moments of repulsive racism. For Watts, as a self-described “lower working-class, rural North Carolina … southern black ki[d],” Gatsby is a text that “was not written” for her and may or may not love her back.

Still, Watts relishes the ways in which Gatsby allows us, through Nick, to have a “front row seat to this moneyed world and the cruel indifference those privileged few have for the striving and struggling masses.” And Watts is satisfied with this albeit ugly view, and with the fact that Nick is neither “a revolutionary [n]or a prophet”: his response is to flee the Eggs.

This combination in Gatsby of wondrous hopefulness, ugliness, and messy retreat works for Watts, and so she can love this book even if she also “fear[s] that the door of the book will suddenly close in my face by excluding and demeaning people of color, women, the poor.” Other readers may be less sanguine and loving toward what Fitzgerald offers. We look forward to seeing how Watts addresses this fear in her novel.

Regardless, we can’t agree more with Watts’s assessment that The Great Gatsby is a book for the twenties but also especially for our own time: “characterized by economic and racial fear, a time of great wealth for a few and greater uncertainty for many.” Our hope is that students in the U.S. who encounter the world of Gatsby have the opportunity to discuss its beauty and its ugliness, to love and hate it, and to use it to think about the difficult issues we faced in our past and continue to face now.

As noted above, we are putting the finishing touches on Using Informational Text to Teach The Great Gatsby, but if you’d like a sneak peek into the kinds of issues and texts it will include, check out our blog and website. We’ve blogged about a couple recent New York Times articles that provide very timely connections to Gatsby, and the materials from our recent workshop, “Teaching Gatsby in the Age of Trump,” are posted on our website. We hope these resources will help you use informational texts to engage in and support the sometimes difficult but necessary discussions about the novel and the realities of our present-day lives.

Sunday, April 2, 2017

Developing vocabulary through drama

It has been a busy week for us.

We are thrilled that Susan was honored by the New Jersey Council of Teachers of English (NJCTE) as Educator of the Year. She accepted the award at the annual NJCTE conference at Montclair State University this weekend, where she also presented some of our new work on The Great Gatsby in a session entitled, “Teaching Gatsby in the Age of Trump.” We are excited to be finishing the volume from which this work is drawn, Using Informational Text to Teach The Great Gatsby and look forward to its publication as the fourth in our series with Roman and Littlefield.

Meanwhile, Audrey travelled to Amsterdam with NJCU graduate student Tatiana Reyes who was presenting at “Look Both Ways: Narrative and Metaphor in Education at Vrije Universiteit in Amsterdam. While at the conference, Audrey attended a fascinating session presented by Jackie Winsch, “A stage for racial justice: Empowering youth through integrated drama education.”

Winsch’s focus was vocabulary development through drama. Her focus was the elementary classroom, but one of the activities she discussed could be easily implemented in the secondary classroom and fruitfully added to a teacher’s toolkit for addressing challenging vocabulary in informational text.

For the activity, the students sit in a circle and the teacher stands in the middle. The teacher narrates a story, and as she does, she calls students into the circle, one, two, or three at a time. Students are asked to engage in a kind of narrative pantomime: to act out pieces of the teacher’s story (in Winsch’s example the students were princesses and a beast) with facial expressions and physical actions (sometimes prompted by the teacher). They might also be asked to repeat bits of dialogue (the beast said, “I am hungry,” so the student as beast repeats, “I am hungry”). Each time the teacher wished to dismiss certain students from the center, she would “whoosh” them out, and then beckon other students in.

The key to this activity, for our purposes, was the inclusion of several key vocabulary words into this narrated drama. Students were physically acting out and sometimes repeating dialogue that included targeted words. In a fun, interactive manner, students were hearing and using the key words, all in an engaging narrative context. In other words, this was a teacher-led version of the vocabulary skits we love.

This activity could easily be implemented in a secondary classroom. In Winsch’s example, the teacher had created the narrative and led the activity, and secondary teachers could do the same. But students could also write and then implement their own narratives, leading their peers in a brief and simple narrated skit. As with the vocabulary skits we advocate in our UsingInformational Text series, these skits could be on any topic (Winsch’s were intended to allow students to explore gender norms) but could also foreground the content of the upcoming informational text (a skit about table manners and gender norms for clothing in preparation for reading an excerpt from Lillian Eichler’s 1921 Book of Etiquette which we offer in Using Informational Text to Teach To Kill a Mockingbird to stimulate discussion of gender in To Kill a Mockingbird).

The brilliance of this activity is that it gets students out of their seats, acting and thinking creatively, embodying and using new words. All of this enhances their necessary “massive practice” so that they can own these new words and engage any challenging reading with confidence.

Jackie Winsch used this activity to argue for integrating drama and play into education. Play is such an important part of learning, and it should play a greater role in school generally, not just in the elementary grades.

In conclusion, then, given all that we know about how crucial complex vocabulary is in determining students’ success with informational text, this narrated vocabulary pantomime activity is one tool we hope all teachers add to their toolbox.

Wednesday, March 22, 2017

Using vocabulary instruction to support all learners

We were very excited yesterday to see our column, “Pairing Contemporary Nonfiction with Canonical Texts,” published in the March issue of English Journal. As we were looking over the table of contents and seeing what great company we are in, Meghan Liebfreund’s essay, “Facilitate Informational Text with Vocabulary Instruction” immediately caught our attention.

Though we have not encountered Liebfreund’s work before, we feel like we have discovered a kindred spirit. Noting the growing emphasis on informational text, she calls vocabulary instruction “crucial” to student success in comprehending it. She cites her recent study that showed “vocabulary knowledge” to be “the strongest predictor of informational text comprehension for readers in grades 3 through 5, and its influence was nearly two times larger than decoding efficiency and prior knowledge” (77).

We also wholeheartedly agree with Liebfreund that “it is vital that we provide instruction that is engaging and effective when supporting students’ vocabulary development .... [and that] enhancing vocabulary instruction often requires the implementation of several instructional strategies.” And, like Liebfreund, we advocate following the model presented by Beck, McKeown, and Kucan in Bringing Words to Life: selecting a reasonable number of “important and frequently used words,” having students interact with the words in meaningful contexts that also front-load concepts that are key to the reading, making instruction explicit, and providing ample and varied practice with the words.

The types of pre-reading vocabulary exercises we include in our model for teaching informational text also follow the criteria Liebfreund calls for, such as the explicit teaching of word forms and drawing students’attention to the multiple meanings of common words. We also believe that “[w]ord learning should be a social process that involves students talking about and sharing what they know and are learning about words” (77).

Finally, Liebfreund’s piece echoes the belief we recently blogged about: that all learners can succeed with complex informational text if given sufficient support. We know that if we make the effort to give that support, especially around the challenge of vocabulary, we create an environment where all students can succeed.

Wednesday, March 15, 2017

Using informational text to engage all learners: Part 2

[Click here to read Part 1.]

In order to reactivate what we had learned the previous day and in hopes of rekindling the students’ engagement, we picked up where we left off with a few final multiple-choice questions. The students read through them quietly and then offered their answers aloud. Whether their answers were correct or not, we prompted them to explain the reasoning and evidence they used in arriving at their answer, and then when needed asked follow-up questions to scaffold them toward the correct answer.

We then broke into two groups to work on two open-ended prompts. We had planned in advance to differentiate the writing work as follows: the two students who have the most difficulty with reading and writing would address a prompt that involved only the article while the other group of three students would tackle one that put the article into dialogue with a short excerpt from Lord of the Flies. In the interest of time, we asked students only to articulate a response to each part of their respective prompt and then identify evidence they would use to support their argument.

The result was an outline of a response produced by each group rather than a fully written response. This adaptation of the lesson allowed us to focus on what we considered our essential instructional goals at the moment: having the students grapple with the ideas in the text(s), articulate coherent responses to the text(s), and select relevant evidence from the text(s) to support their ideas. A complete, written response, in this case, was not necessary for our goals.

The group working with the prompt focused only on the article began by working together to draft a response to the first part of the question: “Why, according to Gorman, are the scientists interested in aggression in fruit flies?” The students drew upon the RSSE strategy (Restate, Support from the text, Support in your own words, Extend) they had previously learned to use in open-ended responses and started by restating the question. They soon realized that this left them with an incomplete response: “According to Gorman, the scientists are interested in aggression in fruit flies because ....” At this point, we went back to what we had learned from the article. After reviewing the conclusions of the study described in the article, the students completed the sentence: “...because it might help them better understand aggression in humans.” The students quickly found a quote that supported their thinking and then went on to the next part of the question.

The other group began their work by reviewing and analyzing the passage from Lord of the Flies in which the boys kill the female wild pig. The students noted the “savage” brutality of the boys’ actions and surmised that the scientists discussed in the article would be interested in studying them. They connected the behavior the scientists observed in their “fight club for flies” with that of the boys in the scene, and then wondered whether the boys had the same kinds of neurons that the scientists had found to be related to aggression in male fruit flies. While the group did not get very far in writing down its responses, the students had a rich, evidence-based discussion as they put the two texts in dialogue with each other.

We decided to move on from the lesson at the conclusion of that class so as not to exhaust student engagement. While we did not have time to fully complete the lesson, its unfinished edges, as well as the parts that students struggled with the most, gave us valuable information on both what to focus on and what to give students more practice with during future lessons.

While the students’ performance was the result of their own thinking and effort, it was also clearly built upon the support we had given them, both in terms of the scaffolding we had provided and the unnecessary obstacles we had taken away. This collection of instructional supports enabled the students to connect with this rich lesson and the ideas and skills it offered, and both the students and the teachers walked away proud of and rewarded by their efforts. However, it must be noted that the social-emotional support the teacher had previously cultivated in the class was also a key aspect of the success of this lesson. The students would not have been so willing to try something new – especially with a stranger in the room – if they had not been already accustomed to taking risks and engaging in challenging work.